"I paint, because I want to see. To me, a painting is exponentiated colour".
Nature and emotions- painted densely, passionate, without restraint.
Bright and ubiquitous colors, modern, yet timeless.
Gottfried Mairwöger's painting is more than just abstract painting- it is philosophy expressed in colors.
Except for a cursory mention of the modest circumstances of a childhood in a small village in Upper Austria, and of years at a boarding school in Linz, the observations made here are limited to the time after Gottfried Mairwöger's entry into art school in Vienna- a more detailed treatment would exceed the nature of an introduction, especially as it seems doubtful that it would shed light on what arouses in a young person growing up in an environment basically unappreciative of art, the desire to paint and the wish to become an artist. Among the possibilities to study painting in Vienna in 1971 Mairwöger instinctively seeks acceptance at the class of Josef Mikl at the Academy of Fine Arts in Vienna. With Josef Mikl and Wolfgang Hollegha who two years later takes over the class, Mairwöger is fortunate to have as teachers painters who themselves produced some of the better art in Austria after 1945. In spite of tutorial patience with students they are instructors of uncompromising analytic ability, unwilling to accept comfortable solutions, or results which "look good". They are teachers concerned equipping students both with technical skills and an understanding of the difficulties and dilemmas inherent in the development of creative ideas and the search for personal expression.
Once accepted at the academy, Mairwöger works with single- minded fervor producing
a constant flow of drawings and paintings- some nude drawings but mostly still- lives and landscapes, the latter often reminiscent of the countryside surrounding the village of Tragwein where he
grew up. Soon, in 1974, his work is discovered by the Ulysses Gallery in Vienna, one of the most prestigious galleries for modern art in Vienna at the time. A year later, Mairwöger has his first
solo exhibition in the very same gallery that also hosts Mikl and Hollegha at the time, his famous teachers.
This marks the beginning of the rising star Mairwöger, whose ascension in the art scene begins with light speed. Exhibitions in Germany and France are soon followed by the first shows in America. In Germany he had met the American art critic and essayist Clement Greenberg, which resulted in a friendship that introduced Gottfried Mairwöger to the American art scene, resulting in friendships with several artists, e.g. Larry Poons, Kikou Saito and Michael Steiner, and exhibitions in New York and Chicago.
In 1982, Gottfried Mairwöger was awarded with the Monsignore-Otto-Mauer Prize, one of the most important prizes for modern art in Austria. This award marked the peak of his career.
After changing his way of painting to a more pastose style, public interest in his works decreased. Until he changed his way of painting back to a more glazing style in the 1990s, he suffered from a lack of attention and a financial crisis. He continued his works from the 1970s and 1980s by reinventing his style, from a rather minimalistic style in the beginning to a more dense and expressionistic flow. Working in tropical surroundings, he created works that combine exotic color ranges and dense, but glazing characteristics. His early death in 2003 came at a point where he introduced a new characteristic to his work, the embedding of act scenes in colorfield backgrounds. This very little known facette represents a new discovery in his works, and will be introduced to the public shortly.